Dhanda Nyoliwala Vomit On Paper controversy has exploded across Haryana. Released December 7, 2025, as track 9 from Kohram album, this Haryanvi rap hits corruption, fake babas, and broken systems hard. Now Sadhvi Deva Thakur demands ban over “hurt sentiments.” Peddler Media breaks down facts, timeline, and why artist stands right.
Vomit On Paper Controversy Timeline
Song released on YouTube. People liked its strong words against fake gurus and corruption. By December 10, videos explained the lyrics. On December 14, Sadhvi Deva Thakur said it hurts Hindu feelings and asked for a ban. Dhanda replied on December 15. He said he targets fake babas, not real faith. He may change some lines. Now social media has two groups: fans who support him and others who want boycott.
Vomit On Paper Lyrics Meaning: What Dhanda Really Targets
Vomit On Paper lyrics expose raw truths. Key lines like “Ram ki kasam le main babe bohot kut ta” (I’d beat fake babas, but Ram wore bhagwa) slam hypocrisy—not faith. “Paisa hai gareeb ka vo itna” calls out poor’s money funneled to fraud gurus with private jets.
Dhanda attacks “dhongi fukke” (fake miracles), politicians, and paper scams like exam leaks. Chorus screams: “You have to raise your voice bro, no alternate choice.” No direct god insult—pure system roast. Breakdowns confirm: it’s anti-paakhand, pro-truth

Why Sadhvi Deva Thakur Proves She’s Fake: 2016 Shooting Scandal
Peddler Media asks: Real babas shun materialism and violence? Correct. Bhagwa robes don’t make saints—actions do. Sadhvi fails hard. November 2016, Karnal wedding: Sadhvi Deva Thakur and guards fired guns. One woman killed, five injured (including child). She surrendered, faced remand, then judicial custody. Haryana govt banned celebratory firing post-incident. Courts confirmed guilt via FSL reports. No true sadhvi packs heat or causes deaths. This screams power abuse, not spirituality.
Materialism Over Dharma
True gurus detach (Gita 2.71: Desire-free peace). Sadhvi chases rallies, drama—no poverty aid. Dhanda’s “Private jet leke jaav” fits frauds like her: hype over help. Fake baba lists (ABAP 2017) flag similar scams. Sadhvi’s rage at song hides her record—leading “ban Dhanda” while misleading youth. Her Vomit On Paper attack boomerangs: Proves Dhanda’s paakhand point. Youth see bhagwa masks hiding guns and greed.

Peddler Media’s Perspective: Truth Over Outrage
Artists like Dhanda must rebel—it’s their duty to voice society’s bitter realities, from corrupt systems to predatory fake babas who exploit the vulnerable for profit. His lyrics ring true: these self-styled gurus often peddle illusions to confused youth, diverting them from real progress while amassing wealth. Dhanda exposes facts, not fiction; silencing him stifles the very critique society needs.
Yet, Dhanda’s PR team and fan pages err gravely by digging up old videos of rival artists or opponents’ speeches for comparison—this drags others down unethically. True leaders uplift without demeaning; you’re already at the top with strong tracks, so why pull others to climb higher? Similarly, the babas decrying this song reveal their own hypocrisy: they mislead youth with spectacle, not substance, fueling the very paakhand Dhanda calls out.
The Bigger Cultural Lesson
This clash underscores Haryana’s evolving youth culture: rap as resistance versus fragile sentiments. Peddler Media, urges maturity—debate ideas, not incite mobs. Support art that questions power, but elevate discourse without mudslinging. Dhanda’s voice strengthens society; let’s amplify truth, not division.
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